残酷

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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回到地球后，舒克贝塔得知了魔方市发生的一切。面对危机，他毫不犹豫地加入了极盗团，为了重建家园而展开了一场卧底行动。极盗团的老鼠们各有特点，舒克贝塔需要用自己的聪明才智，找到他们的弱点，才能完成任务。

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查理·巴克特和他的家人之间的关系也成为了影片的一个焦点，他们的亲情让整个故事更加感人。

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一向偏爱穿越剧，徐峥和张庭的《穿越时空的爱恋》，胡歌和白冰的《神话》，都让我看得津津有味，古今人物之间的碰撞，总是有看不完的笑话，让人忍俊不禁。自从知道湖南卫视要播放新的穿越剧《宫》之后，我还是挺期待的，虽然两个男主角我都不太熟悉，但是女主角杨幂我还是蛮喜欢的，她那清新而灵动的眼神，总是能吸引我的目光。在片花中还看到有郭羡妮、邵美琪等TVB女星的精彩表演，虽然我个人觉得后宫勾心斗角的剧集以《金枝欲孽》已经到了顶峰，之后的我都不怎么看，但是这部综合了多种元素的剧集还是让我在晚上点准时调到了湖南卫视。 看了两天集，觉得这个编剧是不是太省事了，直接把《流星花园》的剧情原封不动地用上了，估计那些把芒果台流星雨当原版看的童鞋感触不深，但是对于我们看过台版《流星花园》的人来说，这不就是清代的《流星花园》吗？晴川对应杉菜，八阿哥对应道明寺，四阿哥对应花泽类，九阿哥、十阿哥对应西门和美作，而素言就对应那个被F欺负的李真，杉菜就是为了她而与F作对，最后被人恶整的。就连整蛊晴川的那两个宫女，所作所为也

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这篇简介呈现了一首生命之诗，通过一个女人的视角，探讨了人类如何面对死亡以及生命的意义。